blastedheath:

Iván Navarro (Chilean, b. 1972), Pink Electric Chair, 2006. Fluorescent light bulbs, color sleeves, painted aluminum and metal fixtures, 115.5 x 79.6 x 110.5 cm. Edition of 3 plus 1 artist’s proof.

blastedheath:

Iván Navarro (Chilean, b. 1972), Pink Electric Chair, 2006. Fluorescent light bulbs, color sleeves, painted aluminum and metal fixtures, 115.5 x 79.6 x 110.5 cm. Edition of 3 plus 1 artist’s proof.

Reblogged from blastedheath with 61 notes

blastedheath:

Pieter Vermeersch (Belgian, b. 1973), Untitled, 2005. Oil on canvas, 60.2 x 50.1 cm.
via mentaltimetraveller

blastedheath:

Pieter Vermeersch (Belgian, b. 1973), Untitled, 2005. Oil on canvas, 60.2 x 50.1 cm.

via mentaltimetraveller

Reblogged from blastedheath with 96 notes

kvetchlandia:

Erwin Blumenfeld     Swastika Legs     1937
Until just now, I’d never encountered this image by Blumenfled.  Now I see where the great Polish graphic designer Wiktor Górka stole the idea…err, got a huge influence for his great poster for the Polish release of Bob Fosse’s “Cabaret.”

kvetchlandia:

Erwin Blumenfeld     Swastika Legs     1937

Until just now, I’d never encountered this image by Blumenfled.  Now I see where the great Polish graphic designer Wiktor Górka stole the idea…err, got a huge influence for his great poster for the Polish release of Bob Fosse’s “Cabaret.”

Reblogged from kvetchlandia with 123 notes

kvetchlandia:

Wiktor Górka     Poster for the Polish Release of Bob Fosse’s “Cabaret”      1972
See what I mean?

kvetchlandia:

Wiktor Górka     Poster for the Polish Release of Bob Fosse’s “Cabaret”      1972

See what I mean?

Reblogged from kvetchlandia with 13 notes

furtho:

Joaquim Cardozo & Milton Ramos’ staircase in the Palácio Itamaraty, Brasília, Brazil, 1970 (by Pedro Kok)

furtho:

Joaquim Cardozo & Milton Ramos’ staircase in the Palácio Itamaraty, Brasília, Brazil, 1970 (by Pedro Kok)

Reblogged from furtho with 7 notes

blastedheath:

Valerius De Saedeleer (Belgian, 1867-1941), La Lys à Latem [The River Lys at Latem], c.1905. Canvas, 45 x 55 cm.

blastedheath:

Valerius De Saedeleer (Belgian, 1867-1941), La Lys à Latem [The River Lys at Latem], c.1905. Canvas, 45 x 55 cm.

Reblogged from blastedheath with 80 notes

kvetchlandia:

Uncredited Photographer     Sophie Taeuber-Arp and Her Sister, Dressed in Costumes Taeuber-Arp Created (Based on Pueblo Indian Designs) for an Interpretive Dance to a Poem by Hugo Ball     1916

kvetchlandia:

Uncredited Photographer     Sophie Taeuber-Arp and Her Sister, Dressed in Costumes Taeuber-Arp Created (Based on Pueblo Indian Designs) for an Interpretive Dance to a Poem by Hugo Ball     1916

Reblogged from kvetchlandia with 55 notes

transistoradio:

Bridget Riley (b.1931), Cantus Firmus (1972-73), acrylic on canvas, 215.9 x 241.3 cm. Collection of Tate, UK. Via Tate.

transistoradio:

Bridget Riley (b.1931), Cantus Firmus (1972-73), acrylic on canvas, 215.9 x 241.3 cm. Collection of Tate, UK. Via Tate.

Reblogged from blastedheath with 92 notes

blastedheath:

Gilbert & George, Black Gargoyles, 1980. Composition of 12 unique hand-coloured photographs, each 23¾ x 19½ in. 

blastedheath:

Gilbert & George, Black Gargoyles, 1980. Composition of 12 unique hand-coloured photographs, each 23¾ x 19½ in. 

Reblogged from blastedheath with 51 notes

art-centric:

Jean Émile Laboureur, Bar in Pennsylvania, 1904

art-centric:

Jean Émile Laboureur, Bar in Pennsylvania, 1904

Reblogged from jetaialoeil with 459 notes